My studio time has been minimal lately. Not that I haven't been creating, it seems that the summer brings a shift in my sensibilities. Sitting on my covered deck in the rain with a sketchbook and pen, using watercolours at outdoor events to etch memories onto paper. Our Alberta climate is such that by the time May rolls around and I can reliably be outside without a snowstorm looming, I can't bear to stay inside. So, I like to make my work portable.
This time of the year is also where I look to refill my reserves and bank some creative ideas for when the machinery of life starts up again in September. A day spent sketching and dreaming often pays dividends further downstream when I need inspiration. I can open a sketchbook, feel the memory of hot sun and survey the notes I made while my creative urges were blooming.
This has been my rhythm for around twenty years now. I am a firm believer in grounding myself in the pages of my sketchbook. It is my memory keeper, colour swatcher, endeavor planner and place for safe keeping. A treasure trove of ideas.
Since this is such an integral part of my art practice, as an instructor, I jump at every chance I get to share some of the tricks and methods I've stumbled across and integrated into my studio practice. This summer is FILLED to the brim with such opportunities. In fact, I've already held a few sketching based workshops, with lots more on the way.
All of these classes are suitable for beginners who are looking to open a sketchbook and begin their creative journeys, seasoned professionals who just need a creative exploration to shake things up and everyone in between. Oftentimes these classes become a catalyst for creativity and cross pollination as everyone is supportive and friendly. It's a great way to meet some new people and potential future sketching buddies!
Coming up this weekend, I will be returning to the charming Leighton Art Centre for a special sketchbook class -
Creative Freedom – Using an Art Journal to Unlock Your Creative Spirit
(One Day Workshop)
June 22, 2019 10:00 AM - 4:00 PM
Unsure of where to start on the path of creativity? Feeling stalled with creative blocks? Need an infusion of inspiration? Whatever your experience level or challenges you face with your art, you can break through using a series of creative techniques and journaling to discover the next step in your artistic journey!
$85.00 + GST & Eventbrite Fees
Registration closes on Thurs. June 20, 2019 at 6:00 PM
Register here or contact firstname.lastname@example.org or phone: 403-931-363
In July and August I will be doing five sessions at the fabulous Inglewood Art Studios (in Bridgeland), we held a session at this location in May and the variety of architectural and natural features was amazing to draw. Great for people watching too!
Plein Air Sketching Summer Series
(One Day Workshop, 5 different sessions to choose from)
Saturdays from 11:00 AM - 4:00 PM
Come join us at the Inglewood Arts studio and around Bridgeland for some outdoor urban sketching. This series of classes will focus on a wide range of approaches for quickly capturing the moment with easy-to-transport supplies as well plenty of practical information of what to bring on your adventures! Each session will feature different techniques and places in the neighbourhood. Sign up for one, or join us for more!
Choose your dates ($90 per session - Save when you register for more then 1 Session)
1 Session $90
2 Sessions $150 (Save $30)
3 Sessions $195 (Save $75)
4 Sessions $240 (Save $120)
5 Sessions $275 (Save $175)
Register here or contact Inglewood Art Supplies at email@example.com or 403-265-8961
If you are looking for a reason to get back into your sketchbook, want to learn how to draw while travelling or to start using all those empty sketchbooks you keep buying... come and join me on one of these dates!
Recently, I've taken up writing in my journal regularly again. After all my health issues last year, it dropped off my radar. In order to tame my scrawling cursive, I've been using a fountain pen which is far easier on my hands and seems to slow me down in a good way. As my cursive is improving I am noticing that the pleasure centres of my brain light up when I manage to write a long word with no breaks and with correct letter formation. It's the little things, folks.
I am currently working on quite a few pieces, most of which have shows coming up where they will debut. This weekend I will be at Artsplace in Canmore for Pottery Palooza - my first time showing there! I have fresh work coming to Leighton Art Centre for the Clothesline Festival as well the fabulous Bluerock Gallery. I also have pieces that will be shown on the Mini Masterpiece wall at the Calgary Stampede. This is the first time I've participated in a Stampede art event, so I am very excited.
This is also a very busy time for instructing - once the snow melts, the roads are far more reliable and classes fill up. Right now, I've been doing a Tuesday night Acrylic Class for beginner and intermediate students at Inglewood Art Supplies and I have quite a few workshops approaching there and at Leighton Art Centre. I keep getting questions about outdoor sketching classes and lino carving - there are a bunch posted here.
As if this wasn't enough busyness... I decided it was time to move from "recovery and rebuilding" mode and back into "learning and exploring" mode (a place that I am far happier to dwell in). I've been feeling so restless the past few months, needing to push my own boundaries and get out of my house. After skipping the 2018 season, I'm returning to Heritage Park part time as a Trades Interpreter at the Strathmore Standard. This is a wealth of letterpress knowledge that I'm looking forward to tapping into. Already this has opened some unexpected and interesting doors for me that I'll be sharing more about in the coming weeks.
It is hard to believe that April is over half finished. Every year, I find that winter just drags and drags in Alberta. Once the tiniest sign of spring appears it is as if time speeds up and poof! The months are flying! This year especially is busy for me with lots of teaching dates, shows and events (and there are extra things being posted everyday, so check back to my homepage for more June, July and August events coming soon)
Here is a sampling of the upcoming months (Click on the title for more info)
Exhibits and Shows:
Juried Members Show
Leighton Art Centre, Calgary AB
April 20th - June 2nd 2019
Pottery-Palooza Art Market
Artsplace, Canmore, AB
May 17 & 18th, 2019
Leighton Art Centre, Calgary, AB
June 1st & 2nd, 2019
Calgary Stampede Mini Masterpiece Salon Wall
BMO Centre, Calgary, AB
Friday, July 5th - Sunday, July 14th
Classes and Workshops:
Beginner & Intermediate Acrylic Painting Tuesday Night Classes
Inglewood Art Supplies
May 7th - June 4th 2019 (5 Sessions)
Plein Air Sketching One Day Workshop
Inglewood Art Supplies, Calgary, AB
May 26th 2019
Gestural Plein Air Sketching
Leighton Art Centre, Calgary, AB
June 8th, 2019
Hand Bound Coptic Stitch Sketchbook 2 Day Workshop
Inglewood Art Supplies
June 15th and 16th, 2019
I realized today that it has been a little while since I've updated my blog. I have a few things I want to write about in the coming weeks, but I've been short on time lately.
I thought it was worth mentioning that I am quite active on Instagram, Facebook and Twitter. I would greatly appreciate it if you wanted to follow along on social media. I like posting little process videos, works in progress and a number of little side projects I'm plugging away on that don't currently fit with my website categories.
You can find me here:
Facebook: Michelle Wiebe Art
While most of the content I post is spread evenly across all three platforms, it isn't identical. Hope to see you on social media!
I’ve been in a really reflective mood as of late. Looking back to last year at this time, I thought I had so much figured out and that 2018 was going to be such a busy and productive year. I could not have been more wrong. Last year at this time, I was slowly reaching a breaking point that been gaining steady ground over the past few years. I was a wreck and I kept dismissing it as being over tired. Looking back it almost seems comical, except that it was awful and I had no idea what was going to happen.
Last year at this time, I had signed a bunch of exciting contracts for teaching. I had also made plans for some interesting art I wanted to complete. I had mapped out in great detail the upcoming six months worth of work. This is fairly typical behaviour for me and it seemed so straightforward as I was headed into January. Except, this time, I had a slow creeping terror that I was going to fail. I couldn’t name it; I couldn’t explain it and I couldn’t see anything amiss. All my plans were the types of plans I had made and executed in the years before, only bigger and brighter. It was time, or so I thought.
Typically, when I make plans, I start with all the known items coming up and enter them into a fresh day timer. The School District time table is usually the first to be entered. I follow that with kid’s trips and camp, out of town guests and miscellaneous doctor’s appointments. Once I have those commitments filled in, I then look to fill the spaces in between with a balance of workshops, events and shows. I book with venues and start adding deadlines for applications and deliveries. It is very methodical and deliberate and touches a very geeky part of my soul. After those items are entered I can do everything from plan blog posts, the focus for studio days and whether or not I need to have something in the slow cooker. My day timer is what allows me to function when my chronic illness flares up or life becomes chaos. It gives me stability.
Last year at this time, I had a day timer waiting for me and everything was so hard. My most favorite day of entering all the known dates came and I struggled. I look at what I had planned in a bunch of saved emails and had to transcribe them onto fresh pages. As I attempted to reign in the chaos of multiple dates and places, I could feel panic rising in my throat. I had to physically circle all the weekends so I would not lose track of them. I entered in all sorts of events but had to make notations so I wouldn’t get confused. Every time I added a new class, anguish came clawing at me. I thought I was overtired.
It never occurred to me that I was steadily checking out of all manner of things I loved. Weekly commitments would come and I would secretly hope they would get cancelled. Activities like running were reduced to resented obligations. Christmas shopping overwhelmed me to the point of tears more than once because I had such a hard time keeping track of what we needed to pick up and what we already had bought. I had an app on my phone for this purpose that I’d used for years and for some reason, manually typing in the items, figuring out a trip to multiple stores and budgeting my time was nearly impossible. As Christmas approached, this distress I kept feeling of everything spinning out of control was steadily gaining ground.
Funny thing is, looking back; I actually have very fuzzy memories of Christmas and all the fun family rituals we celebrated last year. Those memories are there, they are just behind a thick sheet of Plexiglas – I’m pretty sure they will crystallize as I celebrate this year. What I do remember with great clarity is the overwhelming feeling of panic and un-named dread for the upcoming year.
I also remember December 27th, which is typically an unremarkable day in the Christmas Holiday calendar. Although I’d wager that is usually the day that most parents finally get a chance to relax after the unrelenting upswing in the days before Christmas and then Boxing Day sales (remember, I have teenagers, that is the only reason that Boxing Day is notable) On December 27th the panic was still there. I woke up in a foul mood too. My husband helpfully suggested we go for a run, thinking this would provide a stress release for me.
We went to our local track and I went for an angry five kilometre run. Everything during that run made me frustrated; the seniors walking the track, the illegible signs that no one seemed to notice or want to correct, and how difficult it was to figure out what direction I was supposed to run in, even though there were several people already running in one direction. I had no idea that a lot of this was not normal. It didn’t occur to me that it wasn’t normal when I couldn’t figure out how to open my lock. Finally I got super frustrated, I went to look for my husband - it was shortly after I found him that my seizure struck.
In one moment, I went from being someone who was over busy and over tired to someone who had a seizure. In a few hours, I went from that to someone who had a brain tumour larger than a golf ball sitting on her left parietal/occipital lobe region. A couple weeks after that, I became someone recovering from brain surgery. At the time it seemed like I was symptom free, but looking back, it was there. It was the source of my un-named panic.
Turns out your parietal and occipital lobes are super important for processing the world around you. They are responsible for a lot the visual, spatial and language information we use to navigate the world around us. As my slow growing tumour took up more space, it subtly affected those processes and made doing the things I love best very hard. One of the reasons why we didn’t see my issues sooner is because some symptoms echo those of my chronic (well controlled) illness and the fact I was in the habit of meticulously using a day timer. These masked my growing inefficiencies and reading comprehension problems. (side note, I was dyslexic for the three weeks between seizure and surgery, that was weird but not a symptom leading up to discovering my tumour)
When I say “comprehension” it was I literally got so bad with keeping track of written words, I would forget what the paragraph was about before I finished it. I could read it, I could understand it, I could remember reading it, I couldn’t tell you what the content was. It was like sand slipping away in an hourglass. Dates were hard to fix on a calendar because I couldn’t hold onto a date from an email long enough to transcribe into a day timer. I literally got to the point of having my iPad open beside my computer, beside my day timer to see all the moving pieces together. This wasn’t a memory issue so much as a reading issue. I didn’t have nearly the same trouble when somebody verbally told me a date to remember.
Words were a problem sometimes. Especially art/tool related words. Learning letterpress terminology was strange because I would learn a word, know it, know the object and use of the word... for some reason I could not verbalize the word unless I pictured reading it and read it out loud from my mind. Friends would show me tools or equipment and tell me all about each item and I would balk at saying “could you please hand me the _______” time and time again, I could not make the word cross the threshold of my lips. I was very embarrassed about this and thought I was forgetful. I tended to talk around the word and pick up or point to the object instead, waiting for someone else to say the item. Apparently I’m pretty good at that, as I don’t think anyone caught on. Except the time at Heritage Park where I had a room full of teenagers in front of me and suddenly I could not name one item I was explaining. I had explained it probably twenty times already that day until I was left completely blank. That time my head felt very wrong and I left to go sit down and recover. I brushed it off as the flu because I was sick a few days later.
Why is this important? I did my day timer planning for the first part of 2019 this week. I was so scared of how hard it would be so I put it off a few weeks later than normal. Shockingly, it was so straightforward and easy. Come to think of it, every time I start a new book, I brace myself for the upcoming slog of pain that results in me abandoning or forgetting the contents only to find reading is a pleasure. Words still seem to trip me up a little, but I don’t think many people notice (I notice when I’m teaching or explaining art processes) I can’t separate baren and brayer in my mouth, even though my mind clearly knows the difference. I keep referring to the exit in a parking lot as a door (i.e. “we need to leave by the north door” I mean to say exit but my mouth doesn’t articulate that. It’s a blind spot I can live with. I can name the tools now too.
I also have a garden in my mind. It is lush and green and a source of great excitement. For the first time in several years I am pushing to experiment with my art, to make things at home, to grow my passions. I can’t seem to shut my mind off on these things either. I dream something up and can’t stop reading and processing and planning. Right now I am optimistic and full of hope for the future. My husband keeps remarking that it is like I have woken up from a long sleep. In a way, I have.
In closing, you will notice that unlike other “year in review” posts I’ve made, I’m talking very little about art. Honestly, while art sustained me and teaching brought me back to normalcy, 2018 was not about art. Here are some things it taught me:
Now, instead of rebuilding and regaining things that were broken, I need to learn new things. I can’t let illness define me. This is such a small part of who I am, I feel like it is time let the other parts of who I am take charge. In the next few days, I’m planning on posting some of the exciting things I want to do to grow my skills in the coming year. Hopefully 2019 will let me!
PS - For those of you who might be reading about this for the first time, I spent the first half of 2018 blogging about recovery and making art post brain surgery. Some posts are totally written by someone with a brain tumour or someone who recently had brain surgery. I've never bothered to edit them. They are a little art piece in their own right. I put my blog posts in chronological order on this page.
It has been really busy in the studio these past few weeks! Here is a snapshot of all sorts of fun things coming up from me:
Final Weekend for Leighton Art Centre's Christmas in the Country: If you fancy the above paintings, they are available till Sunday afternoon at the Leighton Centre. There other fresh pieces of mine available as well! I hope you check it out, it is an amazing event!
Free parking, free admission & complimentary festive treats throughout both weekends. Spectacular Rocky Mountain views included! Click here for more information.
Upcoming Acrylic Painting 5 Week Class and 1 Day Lino Workshop at Inglewood Art Supplies: I am so excited to be back next week at the great new studio space adjoining Inglewood's store. There is still room in both the painting class as well as the Linocut workshop.
November 13th - December 11th, 2018
Tuesday Evenings, 6:30 - 8:00 pm
In this adult beginner course you will learn the basics of painting and start working on your masterpiece! Students will learn how choose their subject, prepare their canvas, apply paint with a variety of techniques, as well as troubleshoot problem areas. Students will take home a completed painting and the knowledge to develop their skills further on their own.
5 classes | 1.5 hour class
$175.00 + GST (supplies not included - click here for list)
Save 10% by registering before November 7th
Register here or contact Inglewood Art Supplies at firstname.lastname@example.org or 403-265-8961
November 17th, 2018
Saturday 10:00 am - 4:00 pm
Learn the basics of linocut printmaking. The instructor will teach students about composition, safe cutting techniques and how to pull prints. Participants will leave with a variety of hand printed projects, their own carved blocks as well as the skill to practice at home using basic art materials.
$100.00 +GST Supplies not included (supply list here)
$135.00 +GST Supplies provided
Save 10% by registering before November 12th, 2018
Register here or contact Inglewood Art Supplies at email@example.com or 403-265-8961
Northern Reflections Painted Window Exhibition:
November 13th - December 31st
Downtown Calgary (see link)
Michelle Wiebe/Michael Kohlweg Window:
East Village Experience Centre
I'm excited to be participating again in this event. This year's theme is "Electric Winter" and my animation partner and I have a treat in store for everyone who loves Santa!
Download the Augle App and bring the kids down to the East Village Experience Centre to see the magic that happens when you use Augmented Reality (AR) to view original art. There is free onsite parking during open hours and helpful East Village Ambassadors to answer any questions!
Don't forget to vote for your favorite window! They are located around East Village and Stephen Ave. Click here for more info.
I always try to keep my main page current with upcoming events and shows - check there for even more things coming in the next few months! I hope to see you at some of these events!
Sometimes a series comes together from a few different directions. Over the past few months, an important part of my daily routine has been watching all the different birds that land in my yard. I received a bird feeder at Christmas and another at Mother's Day and they are stationed where one can sit with a cup of coffee to enjoy the ongoing drama. Needless to say, my yard is teeming with all sorts of interesting species and a continual source of inspiration. That was the beginning of this series.
Recently, I've been resorting my art supply storage areas and uncovering all sorts of treasure. One of those has been a stash of handmade Etchu card. Named after the region in Japan that it is made in, it is a thick, creamy, decadent paper. All four sides have a natural deckle edge and you can clearly see the kozo fibres in the texture. I've been itching for a little project to try it out on.
In my sorting, I came across the above pictured sketchbook. The bird and the circle triggered an idea that blossomed into the series I'm working on. Although the image is 10 years old, it felt really new to me because I hadn't sat down and properly explored the idea way back then (working a day job, little elementary school kids and painting for Etsy consumed most of my time in those days). Once these three elements came together, the series just unfolded effortlessly. Once they are dry I will sign and edition them then let you know where you can get your hands on one!
This batch of tea towels has been a long time coming. I've been pecking away at it in stages as my busy summer allowed. Dye a batch, prep a batch, print a colour and so on. Finally, these are all heat set and ready to go! All my popular themes are here, squirrels, birds, bees, flowers and leaves. If there is one you have your eye on, contact me fast - the rest will be heading to my stockists!
Each cloth is custom dyed by me, stamped using hand carved blocks with hand mixed ink colours. Each one is one of a kind and has been stamped approximately 24 - 30 times per cloth. (it's a labour of love!) They can be used in a number of ways: tea towels, scarves, receiving blankets, bread basket liners or for a beautiful one of a kind hostess or teacher gift. Flour sack cloth improve with age and use, becoming softer and more luxurious with every use. It is not uncommon to see a flour sack tea towel in regular use for over a decade.
I am really proud of this little book.
I have been wanting to make some properly bound books for a while now. However, something was holding me back... I realize now it was my brain tumour that was making reading and deciphering instructions really, really difficult over the past few years. It seemed that as I acquired more and more equipment made for bookbinding purposes, my ability to learn new stuff started to decline. Even reading recipes started to get so frustrating as I couldn't hold on to the order of the steps or the ingredients at the top of the page, So this idea sat dormant while my interest and equipment grew.
Things I already knew how to do didn't cause any problems (and probably contributed to why my issues didn't get discovered earlier). Repeating things over and over, or making a whole bunch of the same type of thing helped me keep learning when my reading abilities started to fade. I was also good at learning while watching someone show me each step. Although, when new tools and terms were mentioned, I had a really hard time actually saying the new words - I couldn't spit them out. I knew the words, I just couldn't bridge the gap between my mind and my tongue. I also tended to get lost with too many steps, causing me to retrace and retrace.
I already knew how to do linocut printmaking, I've also been printing on fabric for a few years. Cutting paper and measuring stuff is second nature. Those parts of this project was like a duck taking to water. What intimidated me was the stitching. I have a hard time looking at diagrams for knots and origami already. Throw in brain surgery and muddled illustrations... I felt kind of lost.
So I decided to just take it one step at a time. I started with the easy stuff I already knew and once those things looked pretty good, I tackled the binding part.
The funny thing was - the pictures totally made sense. I'm finding that when I read instructions now, they are very clear and straightforward to my newly healed brain. This time last year, I would have gotten mad or irritated with every step. I kept expecting to get stumped only to realize that it all made sense. That was really cool.
So I breezed through it. It worked. I started to revise the steps so that the next one is better. I'm very excited about all this!
If all this linocut printing, block printing on fabric stuff is intriguing you (and you live around Calgary) why don't you join me for one of my upcoming classes or demonstrations?
Saturday, September 22nd, I'll be at Inglewood Art Supplies teaching a one day workshop on linocut printmaking.
Saturday, September 29th, I'll be at the Leighton Art Centre demonstrating my block printing on Fabric for Alberta Culture days.
November 10th and 11th, I'll be at the Leighton Art Centre doing an intensive 2 day workshop all about linocut block printing on fabric.
For more info or to sign up, click the links or visit my home page.
Summer has passed through Alberta in it's usual whirlwind fashion and I noticed this morning some yellow leaves dropping from the trees. It has been really busy in our household. Kids coming and going from jobs to camp to friends places. Wonderful visits from friends and family. Short day trips and treks into the surrounding foothills. I've been puttering away steadily in my studio any moment I can, but it is mostly prepping for projects that I'll undertake when I can focus for longer stretches of time (a.k.a. back to school). While I'm mourning the passing of hot summer days, I am also yearning for routine and structure. A turning of the seasons.
One exciting thing I am looking forward to is a new partnership with Inglewood Art Supplies. They have been renovating the neighbouring space in their Bridgeland building so that they can begin to offer art classes, demonstrations and workshops. The results of their space transformation is amazing. You can really tell people who make art were behind the planning and execution of this endeavor. Tall ceilings, well equipped work stations and great lighting will make this an amazing place to teach and learn.
I will be offering a 5 week class for beginner acrylic painting that will happen on Tuesday nights from 6:30 - 8:00 pm going from September 18th to October 16th. I will also offer two different 1 day workshops at Inglewood this fall. Beginner Linocut Printmaking in September and then a Creative Art Journaling workshop in October.
In November I will be back at the fabulous Leighton Art Centre to teach a two day intensive workshop on Block Printing on Fabric - this is timed so that those who want to learn an interesting skill can practice by making a whole stack of very cool Christmas gifts if they want.
As usual, I post all my workshops, classes, demonstrations and showings on my main page - there you will find all the links you need to directly register for my classes. I really hope to see you there.