Well, the kids are back in school, the vacation time is used up and the weather is getting colder. No excuses. It's time to get back into the studio. I mean you, not me! I've been in the studio the past couple of weeks getting prepared for all the upcoming classes and workshops! Below are what are ready for registration at the fabulous Inglewood Art Supply Studios! 

If you are interested, register here or contact Inglewood Art Supplies at inglewoodart@shaw.ca or 403-265-8961

Making Your Mark - Beginner and Intermediate Acrylic Painting
September 17th - October 22nd 2019 (no class October 1st)
Tuesdays 6:30 pm - 8:30 pm 

Learn the basics of painting and start working on your masterpiece! Students will learn how choose their subject, prepare their canvas, apply paint with a variety of techniques, as well as troubleshoot problem areas. Students will take home a completed painting and the knowledge to develop their skills further on their own.

Intermediate Students will be coached through individual projects and provided with more targeted feedback based on their goals for skill development. 

5 Classes - $150.00 +GST Supplies Not Included

$30 Drop-In option available, see link for more details.

Creative Freedom - Using an Art Journal to Unlock Your Creative Spirit
One Day Workshop
Sunday, September 29th, 2019
11:00 am - 4:00 pm​

Unsure of where to start on the path of creativity? Feeling stalled with creative blocks? Need an infusion of inspiration? Whatever your experience level or challenges you face with your art, you can break through using a series of creative techniques and journaling to discover the next step in your artistic journey!

$85.00 +GST
​Supplies Not Included

Making a Good Impression
Beginner Linocut Printmaking
Two Day Workshop
October 19th & 20th 2019
11:00 am - 4:00 pm (both days)

In this class, students will learn the basics of linocut printmaking. The instructor will teach students about composition, safe cutting techniques and how to pull prints. Participants will leave with a variety of hand printed projects, their own carved blocks as well as the skill to practice at home using basic art materials.

​$160.00 +GST
​Supplies Included

Breaking Boundaries
Mixed Media Printmaking
Two Day Workshop
October 26th & 27th 2019
11:00 am - 4:00 pm (both days)

Add colour to your linocut printmaking through a variety of mediums and techniques. The instructor will cover a number of approaches one can take with mixed media printing. Class time will cover basic linocut carving, inking and printing skills as well as how to use them with other art materials.Emphasis will be placed on utilizing other dry and wet media with your carved block in a number of different approaches to create one of a kind art with a few simple tools.

Most Supplies for this workshop are provided. You may need to purchase additional supplies should you want to experiment with printing on a different support other than paper, use mixed media supplies provided not in our studio.

​$160.00 +GST
​Most Supplies Included

The past few months have been very good to me as I have made some friends and connections that have been inspiring me to explore new things and push the ceiling of my skills and knowledge. Spending time with Heritage Park and Alberta Printmakers has also lead me down some interesting paths. Looking back over the past year and a half, I have come to realize that I was creatively isolated in many ways during my time of recovery and I have been very thankful for this influx of stimulus in my life!

One of my more recent connections has been with the Making Treaty 7 Cultural Society. They support many theater and visual art endeavors in the Mohkinstsis (Calgary) region. The support they bring to the local First Nations, Metis and Inuit arts community is amazing. After attending an event of theirs in June, I was asked to submit work for their upcoming 2nd Annual Touring Exhibition. Imagine my delight when my piece, Reconciling Myself, was accepted!

This work is a little of a departure for me, but this has been brewing for a while. Those bright florescent lines have been steadily gaining ground in my paintings, letterpress and sketchbook for months. It took the inspiration of this piece to explode those hues to the forefront.

Lately my work has begun to explore identity; of particular interest is my Anishinaabe heritage. Like many Canadian families, this is complex and fraught with embedded societal racism, fear of Residential schools and broken ties with our cultural roots. As my father has made his own journey of making peace with these issues, a world has been opening up as he shares the past.

Issues of cultural appropriation have been forefront in my mind, I’ve been wary of taking bits and pieces of a culture I wasn’t raised in to forge my artistic identity. Approaching this painting, I thought about how to best represent the place that I am coming from. Basing my source imagery on European settler representations of First Nations peoples was a way to not only share a lot of my early understanding of my family history, but also an act of re-appropriation.

In my piece, Reconciling Myself, the source is from a 1910 postcard entitled “Indian Woman with Owl, Blind River”, which is the town where my father was born. This woman looks familiar to me, the slope of her nose and cheeks are the same that greet me in the mirror. In the photo, she seems unhappy and the owl looks to be a piece of taxidermy. I took liberties in my painting; she is serious, not sad. The owl is spreading it’s wings. In the background is a riot of colour and dynamic lines, a sign of life and the future.

I hope you will have a chance to take in this show in the coming months!

cSpace: Opening Wednesday September 18th until September 29th, 2019
Art Commons: Opening Wednesday October 1st until November 29th, 2019
New Central Library: Opening Monday December 2nd 2019 until January 18th, 2020

​ Recently, I've taken up writing in my journal regularly again. After all my health issues last year, it dropped off my radar. In order to tame my scrawling cursive, I've been using a fountain pen which is far easier on my hands and seems to slow me down in a good way. As my cursive is improving I am noticing that the pleasure centres of my brain light up when I manage to write a long word with no breaks and with correct letter formation. It's the little things, folks.  

​
​As if this wasn't enough busyness... I decided it was time to move from "recovery and rebuilding" mode and back into "learning and exploring" mode (a place that I am far happier to dwell in). I've been feeling so restless the past few months, needing to push my own boundaries and get out of my house. After skipping the 2018 season, I'm returning to Heritage Park part time as a Trades Interpreter at the Strathmore Standard. This is a wealth of letterpress knowledge that I'm looking forward to tapping into. Already this has opened some unexpected and interesting doors for me that I'll be sharing more about in the coming weeks. ​

I realized today that it has been a little while since I've updated my blog. I have a few things I want to write about in the coming weeks, but I've been short on time lately. 

I thought it was worth mentioning that I am quite active on Instagram, Facebook and Twitter. I would greatly appreciate it if you wanted to follow along on social media. I like posting little process videos, works in progress and a number of little side projects I'm plugging away on that don't currently fit with my website categories.  

You can find me here: 

Instagram: @mw.artco

Facebook: Michelle Wiebe Art

Twitter: @Michelle_Wiebe

While most of the content I post is spread evenly across all three platforms, it isn't identical. Hope to see you on social media!

I’ve been in a really reflective mood as of late. Looking back to last year at this time, I thought I had so much figured out and that 2018 was going to be such a busy and productive year. I could not have been more wrong. Last year at this time, I was slowly reaching a breaking point that been gaining steady ground over the past few years. I was a wreck and I kept dismissing it as being over tired. Looking back it almost seems comical, except that it was awful and I had no idea what was going to happen.

Last year at this time, I had signed a bunch of exciting contracts for teaching. I had also made plans for some interesting art I wanted to complete.  I had mapped out in great detail the upcoming six months worth of work. This is fairly typical behaviour for me and it seemed so straightforward as I was headed into January. Except, this time, I had a slow creeping terror that I was going to fail. I couldn’t name it; I couldn’t explain it and I couldn’t see anything amiss. All my plans were the types of plans I had made and executed in the years before, only bigger and brighter. It was time, or so I thought.

Typically, when I make plans, I start with all the known items coming up and enter them into a fresh day timer. The School District time table is usually the first to be entered. I follow that with kid’s trips and camp, out of town guests and miscellaneous doctor’s appointments. Once I have those commitments filled in, I then look to fill the spaces in between with a balance of workshops, events and shows. I book with venues and start adding deadlines for applications and deliveries. It is very methodical and deliberate and touches a very geeky part of my soul. After those items are entered I can do everything from plan blog posts, the focus for studio days and whether or not I need to have something in the slow cooker. My day timer is what allows me to function when my chronic illness flares up or life becomes chaos. It gives me stability.

Last year at this time, I had a day timer waiting for me and everything was so hard. My most favorite day of entering all the known dates came and I struggled. I look at what I had planned in a bunch of saved emails and had to transcribe them onto fresh pages. As I attempted to reign in the chaos of multiple dates and places, I could feel panic rising in my throat. I had to physically circle all the weekends so I would not lose track of them. I entered in all sorts of events but had to make notations so I wouldn’t get confused. Every time I added a new class, anguish came clawing at me. I thought I was overtired.

It never occurred to me that I was steadily checking out of all manner of things I loved. Weekly commitments would come and I would secretly hope they would get cancelled. Activities like running were reduced to resented obligations. Christmas shopping overwhelmed me to the point of tears more than once because I had such a hard time keeping track of what we needed to pick up and what we already had bought. I had an app on my phone for this purpose that I’d used for years and for some reason, manually typing in the items, figuring out a trip to multiple stores and budgeting my time was nearly impossible. As Christmas approached, this distress I kept feeling of everything spinning out of control was steadily gaining ground.

Funny thing is, looking back; I actually have very fuzzy memories of Christmas and all the fun family rituals we celebrated last year. Those memories are there, they are just behind a thick sheet of Plexiglas – I’m pretty sure they will crystallize as I celebrate this year. What I do remember with great clarity is the overwhelming feeling of panic and un-named dread for the upcoming year.

I also remember December 27th, which is typically an unremarkable day in the Christmas Holiday calendar. Although I’d wager that is usually the day that most parents finally get a chance to relax after the unrelenting upswing in the days before Christmas and then Boxing Day sales (remember, I have teenagers, that is the only reason that Boxing Day is notable) On December 27th the panic was still there. I woke up in a foul mood too. My husband helpfully suggested we go for a run, thinking this would provide a stress release for me.

We went to our local track and I went for an angry five kilometre run. Everything during that run made me frustrated; the seniors walking the track, the illegible signs that no one seemed to notice or want to correct, and how difficult it was to figure out what direction I was supposed to run in, even though there were several people already running in one direction. I had no idea that a lot of this was not normal. It didn’t occur to me that it wasn’t normal when I couldn’t figure out how to open my lock. Finally I got super frustrated, I went to look for my husband - it was shortly after I found him that my seizure struck.

In one moment, I went from being someone who was over busy and over tired to someone who had a seizure. In a few hours, I went from that to someone who had a brain tumour larger than a golf ball sitting on her left parietal/occipital lobe region. A couple weeks after that, I became someone recovering from brain surgery. At the time it seemed like I was symptom free, but looking back, it was there. It was the source of my un-named panic.

Turns out your parietal and occipital lobes are super important for processing the world around you. They are responsible for a lot the visual, spatial and language information we use to navigate the world around us. As my slow growing tumour took up more space, it subtly affected those processes and made doing the things I love best very hard. One of the reasons why we didn’t see my issues sooner is because some symptoms echo those of my chronic (well controlled) illness and the fact I was in the habit of meticulously using a day timer. These masked my growing inefficiencies and reading comprehension problems. (side note, I was dyslexic for the three weeks between seizure and surgery, that was weird but not a symptom leading up to discovering my tumour)

When I say “comprehension” it was I literally got so bad with keeping track of written words, I would forget what the paragraph was about before I finished it. I could read it, I could understand it, I could remember reading it, I couldn’t tell you what the content was. It was like sand slipping away in an hourglass. Dates were hard to fix on a calendar because I couldn’t hold onto a date from an email long enough to transcribe into a day timer. I literally got to the point of having my iPad open beside my computer, beside my day timer to see all the moving pieces together. This wasn’t a memory issue so much as a reading issue. I didn’t have nearly the same trouble when somebody verbally told me a date to remember.

Words were a problem sometimes. Especially art/tool related words. Learning letterpress terminology was strange because I would learn a word, know it, know the object and use of the word... for some reason I could not verbalize the word unless I pictured reading it and read it out loud from my mind. Friends would show me tools or equipment and tell me all about each item and I would balk at saying “could you please hand me the _______” time and time again, I could not make the word cross the threshold of my lips. I was very embarrassed about this and thought I was forgetful. I tended to talk around the word and pick up or point to the object instead, waiting for someone else to say the item. Apparently I’m pretty good at that, as I don’t think anyone caught on. Except the time at Heritage Park where I had a room full of teenagers in front of me and suddenly I could not name one item I was explaining. I had explained it probably twenty times already that day until I was left completely blank. That time my head felt very wrong and I left to go sit down and recover. I brushed it off as the flu because I was sick a few days later.

Why is this important? I did my day timer planning for the first part of 2019 this week. I was so scared of how hard it would be so I put it off a few weeks later than normal. Shockingly, it was so straightforward and easy. Come to think of it, every time I start a new book, I brace myself for the upcoming slog of pain that results in me abandoning or forgetting the contents only to find reading is a pleasure. Words still seem to trip me up a little, but I don’t think many people notice (I notice when I’m teaching or explaining art processes) I can’t separate baren and brayer in my mouth, even though my mind clearly knows the difference. I keep referring to the exit in a parking lot as a door (i.e. “we need to leave by the north door” I mean to say exit but my mouth doesn’t articulate that. It’s a blind spot I can live with. I can name the tools now too.

I also have a garden in my mind. It is lush and green and a source of great excitement. For the first time in several years I am pushing to experiment with my art, to make things at home, to grow my passions. I can’t seem to shut my mind off on these things either. I dream something up and can’t stop reading and processing and planning. Right now I am optimistic and full of hope for the future. My husband keeps remarking that it is like I have woken up from a long sleep. In a way, I have.  

In closing, you will notice that unlike other “year in review” posts I’ve made, I’m talking very little about art. Honestly, while art sustained me and teaching brought me back to normalcy, 2018 was not about art. Here are some things it taught me:

• I have an amazingly resilient and loving family. My three kids all had to shoulder all sorts of extra responsibilities due to my illness. Not only did they step up and deal with this, they were extraordinarily caring and gentle with me during some pretty dark days. Extra shout out to my teen chauffer who had to not only deal with typical mom twitchiness while she drove, but a full freak out mom who had crazy peripheral vision issues. That cannot have been easy. Add in my husband who was close to solo parenting for the first quarter of the year while working full time. We aren’t perfect, but my respect and love for them has absolutely reached peak heights – I’m so proud of the capable adults my kids are turning into.

 

• It is very easy to take your abilities for granted. There was no way I could steadily work for the first six months. I basically had to relearn how to prioritize the steps one needs to take during the creation of a piece of art. Things that were automatic processes left me stymied for ages while I recovered. These things came back, but it took time. This is not what I’d consider a prolific year.

 

• You have to work for recovery. I have spent the last year constantly pushing back. If I’ve found an area where I’ve struggled (before or after surgery) I’ve tried my best to fight for those abilities to return. It is a lot of work and can be very worth it. However, after a year of this, I’ll admit that I’m tired of rebuilding my life. There has been a lot of grieving, a lot of humility, and a lot of reflection on things that I wish I could have done better if I hadn’t had this spectre constantly shifting in the shadows each day.

 

• There are a lot of good people out there who lifted me up. To everyone who touched base with a text, gave me an opportunity to do something normal, took a chance that I was recovered, posted silly social media jokes to me, who kept our friendship or working relationship going when I didn’t have the capacity to do much. Thank you. You were probably more of a lifeline than you will ever know. This is one of those “look directly in their eyes and make sure they feel a little awkward” kind of statements. It’s been a long year and you helped bring me through it.

 

• It’s healthy to keep moving forward. I don’t really bring up my brain surgery that much anymore. I need to move past it. I’ve reflected a lot on the events leading up to that time and all the subtle signs and issues I experienced, but mainly so I could process what happened and celebrate the return of lost skills.

 
Now, instead of rebuilding and regaining things that were broken, I need to learn new things. I can’t let illness define me. This is such a small part of who I am, I feel like it is time let the other parts of who I am take charge. In the next few days, I’m planning on posting some of the exciting things I want to do to grow my skills in the coming year. Hopefully 2019 will let me! 

PS - For those of you who might be reading about this for the first time, I spent the first half of 2018 blogging about recovery and making art post brain surgery. Some posts are totally written by someone with a brain tumour or someone who recently had brain surgery. I've never bothered to edit them. They are a little art piece in their own right. I put my blog posts in chronological order on this page. 

It has been really busy in the studio these past few weeks! Here is a snapshot of all sorts of fun things coming up from me: 

Final Weekend for Leighton Art Centre's Christmas in the Country: If you fancy the above paintings, they are available till Sunday afternoon at the Leighton Centre. There other fresh pieces of mine available as well! I hope you check it out, it is an amazing event! 

Free parking, free admission & complimentary festive treats throughout both weekends. Spectacular Rocky Mountain views included! Click here for more information.

​ Sometimes a series comes together from a few different directions. Over the past few months, an important part of my daily routine has been watching all the different birds that land in my yard. I received a bird feeder at Christmas and another at Mother's Day and they are stationed where one can sit with a cup of coffee to enjoy the ongoing drama. Needless to say, my yard is teeming with all sorts of interesting species and a continual source of inspiration. That was the beginning of this series. 

​ Recently, I've been resorting my art supply storage areas and uncovering all sorts of treasure. One of those has been a stash of handmade Etchu card. Named after the region in Japan that it is made in, it is a thick, creamy, decadent paper. All  four sides have a natural deckle edge and you can clearly see the kozo fibres in the texture. I've been itching for a little project to try it out on. ​

​ In my sorting, I came across the above pictured sketchbook. The bird and the circle triggered an idea that blossomed into the series I'm working on. Although the image is 10 years old, it felt really new to me because I hadn't sat down and properly explored the idea way back then (working a day job, little elementary school kids and painting for Etsy consumed most of my time in those days). Once these three elements came together, the series just unfolded effortlessly. Once they are dry I will sign and edition them then let you know where you can get your hands on one!