 A new tool for me : an 11/1 Pfeil U gouge. I have an even tinier one on order. I have stalled on writing this year end/beginning blog post. I think because, for a while I was thinking about the past decade and it really tripped me up. Long story short, I have not made the gains in the past 10 years that I would have wanted for myself. In fact, I'm in a totally different head space now than I was 10 years ago. So, in order to move this blog post forward, forget the past decade, that post would have been too whiny. Back to 2019 - what an unexpectedly good year. Here are some reasons why: 1. St. Louis is an amazing city and the Ladies of Letterpress Conference was filled to the brim with fantastic people, big machines and thousands of things to learn. I want to try my best to return this year. I feel like I only brushed the surface of potential those days can hold. I came home with many treasures and ideas that will keep me out of trouble for the bulk of 2020. I suspect. 2. I returned to my role at Heritage Park as a Trades Interpreter for the Strathmore Standard Newspaper Office. This was meaningful in a multitude of ways - working and learning on the letterpress equipment, broadening my historical knowledge of printing and most importantly the friendships that have come out of my time there. Plus, knowing that pictures of me wearing my Edwardian costume, clicking away on the Linotype are being posted to random tourist social media accounts worldwide is highly entertaining. 3. After taking a break during the year I was recovering, I resumed my membership at Alberta Printmakers and found lots of ways to become involved - serving on the Board, printing manhole covers, demonstrating linocut printmaking and teaching a Letterpress class! They won't be able to get rid of me in 2020, I have my eyes set on using their sweet Vandercook a whole lot more in the new year. 4. I became acquainted with the Making Treaty 7 Society and had a chance to show a piece that explores my First Nations heritage. This, along with group shows at the Calgary Stampede, The Leighton Art Centre and Alberta Printmakers, I have had a wonderful variety of venues to work with and audiences to reach. 5. Speaking of venues, along with those mentioned above, I need a special shout out to Bluerock Gallery in Black Diamond for not only carrying my work, but hosting a pop-up for me at Christmas. I also need to say thanks to Inglewood Art Supplies and Studio for having me in to teach so often and for being so flexible and fun to work with. 6. I am no longer in "recovery mode" - while I am not the same person I was a few years ago, I think I am far stronger and functional than I have been for many years. The small deficits that I have noticed are being worked on how to work around them (and that in itself has been a fun challenge to meet head on). Add to this that my family has had a good year without too many challenges as well - life truly is good. Of course there are more things to celebrate, but these are the big things that come to mind. So what is ahead for the coming year? More of the same, but with more refinement. I'm looking forward to teaching more, making more and sharing more in the months ahead. I am really wanting to push myself again (something that has been hard for a few years). I've been looking at a lot of art, reading lots and talking through some exciting projects. Hopefully 2020 will an even more exciting year! Oh and one other thing - Students: I have a whole slew of classes posted on my main page, ready for you to register for (and more coming soon) Click here for more info. Organizations and Art Groups: I have a bunch of new workshop and class ideas posted on my booking page (and customization is totally possible) Click here for more info.
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 This is not a new painting but the subject matter is located on the pathway between my house and Seniors on the Bow I am very excited to be starting an instructing contract with Town of Cochrane in 2020, it will be so great to get involved in my local arts community. At the moment, I have three classes that will fill the Wednesday afternoon 1:30 - 3:30 spot at Seniors on the Bow from January till May. The first two sessions are focused on Acrylic Paint, the last session is for drawing that should take us out and about the Spray Lake Sawmills Family Sports Centre property (weather permitting) Registration is now open (you can read more about these classes here) or read the descriptions below:  Making Your Mark Beginner Acrylic Painting for 50+ Adults Seniors on the Bow, Cochrane AB January 15th - February 19th, 2020 Wednesdays 1:30 - 3:30 PM Learn the basics of painting and start working on your masterpiece! Students will learn how to choose their subject, prepare their canvas, apply paint with a variety of techniques as well as troubleshoot problem areas. Students will take home a completed painting and the knowledge to develop their skills further on their own $75.00 ($60.00 for SOTB Program Members) + Supplies & GST Students may bring their own supplies or purchase from the instructor. Supplies include canvas, paint, and use of brushes. Register here or contact Seniors on the Bow Centre at 403-932-6002  Exploring Texture with Acrylic Paint for Depth and Interest for 50+ Adults Seniors on the Bow, Cochrane AB February 26th - April 1st 2020 Wednesdays 1:30 - 3:30 PM Learn how to build rich layers into your paintings with simple tools and techniques. This will help you identify the different types of products available and how you can use them in art. Participants bring home a set of textured paintings that build colour with different approaches. $75.00 ($60.00 for SOTB Program Members) + Supplies & GST Students may bring their own supplies or purchase from the instructor. Supplies include canvas, paint, texture medium, brushes and palette knives. Register here or contact Seniors on the Bow Centre at 403-932-6002  Sketching - Take Your Sketchbook and Actually Use It! for 50+ Adults Seniors on the Bow, Cochrane AB April 29th - May 27th 2020 Wednesdays 1:30 - 3:30 PM Fill your sketchbook with memories at home or on vacation. Learn what to bring, how to pack it and everything you need to know for travelling with art supplies. This fast-paced class will help you beat every excuse preventing you from drawing when you are out and about. $62.50 ($50.00 for SOTB Program Members) + Supplies & GST Students may bring their own supplies or purchase from the instructor. Supplies include a sketchbook and 2 pens for students to keep. Register here or contact Seniors on the Bow Centre at 403-932-6002  I have very much enjoyed becoming a more active member with Alberta Printmakers this year. They are comprised of amazing artists and supporters who are super inclusive and encouraging. One of their yearly fundraising efforts is the Not So Mini Print Exchange and Exhibition. It is an international call and artists submit an edition of 10 prints. Of that edition, 8 prints get given to other artists and 2 go up for auction with the proceeds going to fund further A/P projects. My piece, The Fox and the Crow, was a return visit to an old theme that has been popping up in my work for about a decade. It's based off of a fable by Aesop - in it a crow has a tasty morsel of cheese in her beak. A sly fox decides to convince the crow that her voice is beautiful and that he wants her to sing. As she starts to caw and croak, the cheese drops to the ground and the fox runs away with the cheese. This has always been interpreted by me as a stark warning about flattery and other wasted words. I have a hard time receiving compliments, I tend to be very awkward and uncomfortable when this happens. This is a long standing thing - hence the reoccurring fox and crow theme that I relate to on a deeper level. This strangeness about compliments was recently pointed out to me and I started to process a little bit about why it is hard to hear those things (haven't totally figured that out). I do like receiving warm feedback (especially from those that I really respect their opinions) and I decided it was time to put the Fox and Crow theme to rest. It was the subject of a print I did a long time ago that was rushed and I was dissatisfied with the end result. This version I am much happier with. I printed it using 3 different blocks (the large red rectangle with scalloped pattern, the blue circle/floral blocks (used twice) and the final fox and crow block. I played around on my Chandler & Price treadle letterpress with very diluted pigment and tried my best to get nice registration and clean edges. It turned out well. I agonized over the composition for quite some time because I couldn't picture the placement very easily in my head - but at the end, I think it reads well. I feel like I am making slow art these days. Hopefully the flavours are that much more developed because of it. I also feel like I'm starting to make peace with some of my hesitations surrounding kind words about my work. Come and check it out and all the other amazing pieces at: Not So Mini Exhibition Alberta Printmakers December 6th - 21st, 2019 Find out more here.  So I have a confession of sorts. I've recently come to the slow realization that despite having almost two years to recover and working very diligently on my artwork, I still have a very difficult time visualizing what it is I am wanting to make. What do I mean by that? Well, if you asked me to close my eyes and picture a chair, I could do that pretty easily. If you ask me to make you a picture featuring a chair I literally draw a blank. Nothing. Now, resist temptation to chime in with "me too! I never know what to draw or where to start!" That's not really what I'm talking about... I have this hard to describe loss of not really being able to do what I once was very good at which is this sequence of "here is the request" then "explosion of images in my head" then "rework images in my head" then do a sketch. Now it's more like "here is the request" then... crickets.  So, why I am sharing this? Honestly, the idea of this is super interesting to me - how and why do I make art then? How long did I go on making things not realizing that the ability to visualize never really returned? Truth be had, I really avoided "making art" as much as possible. Or I stuck to tried and true things like representational paintings. I got super good at carving patterns on linoleum because I couldn't decide on anything to depict. So I'd carve lines. Or circles. The blocks started piling up.  It wasn't until I tried to make something specific that I completely stalled out. Since I had imposed a deadline for myself to abide by, I had to figure out how to make something from nothing. I learned a few things about making flights of fancy materialize along the way. .  Words help There is something about how my brain is re-wired that words still play a very, very strong role in how things do or do not get done. It was over coffee with a friend talking about my side project where it really started to dawn on me that talking ideas = half formed visuals in my head. Writing half formed visuals down and then pinning them to a style, time period or medium = slightly more formed ideas. Repeat until the artwork emerges. Words somehow resemble having a tiny flashlight in the woods at night. They illuminate the steps ahead but I cannot see the destination (or the wolves lurking in the inky darkness)  This is not all bad. Since I've realized this deficit still very much exists for me (and might be part of my new normal) I have noticed that my artwork is more considered. Gone are the days of dashing off spur of the moment paintings. This has been replaced with informally collaborating through offhand conversations. Talking out an idea seems to lead to imagery. Slowing down like this allows me to really consider things like composition, colour choices, subject, style - the list goes on and on. Just because something used to be easy, doesn't mean that it was better.  Anyways, all this to say that since that discovery, I've been tinkering with all sorts of ideas and making new things. Plus, I've learned that if the visualization isn't happening I have to keep busy anyways. Sometimes it is prep work, sometimes it is digging out an old half finished project, sometimes it is just reading or drawing (which still remains a spontaneous arena for me). Productive procrastination is a thing for me these days.  I've also learned that having deadlines really help (real or imagined) - I'm quite excited that a lot of the letterpress notebooks and postcards that I've sprinkled throughout my post are destined for a Pop-Up Market at Bluerock Gallery on November 30th! Since I was bringing my little press with me, I wanted to have a lot of freshly printed items that showcased letterpress and linocut!
 My trusty pal, Kelsey with some Christmas cards we made together. I am really looking forward to the events that are coming up in the next few weeks. All my favourite things are here: painting, printmaking and letterpress! Christmas in the Country 2019 Leighton Art Centre, Calgary AB November 2, 2019 - November 10, 2019 I'm happy to have been selected to participate in the annual Christmas in the Country Art sale at the fabulous Leighton Art Centre. Over 2000 pieces of fine craft and unframed artworks by local artists will fill the museum and galleries of the historic Leighton home this November, Free parking, free admission & complimentary festive treats throughout both weekends. Spectacular Rocky Mountain views included! For more information visit here. Making Your Mark - Beginner and Intermediate Acrylic Painting Inglewood Art Supplies and Studio November 5th - December 3rd 2019 Tuesdays 6:30 pm - 8:30 pm Learn the basics of painting and start working on your masterpiece! Students will learn how choose their subject, prepare their canvas, apply paint with a variety of techniques, as well as troubleshoot problem areas. Students will take home a completed painting and the knowledge to develop their skills further on their own. Intermediate Students will be coached through individual projects and provided with more targeted feedback based on their goals for skill development. $30 Drop-In option available, For more information visit here. Print & Be Merry: Holiday Print Workshop Alberta Printmakers Wednesdays, November 20th and 27th 2019 6:30 pm - 8:30 pm (both evenings) Carve your own holiday linocut image and print it on a tabletop Kelsey letterpress! Over two sessions, students will learn the basics of linocut carving and printmaking, and use a tabletop letterpress to create one of a kind Christmas cards, tags and wrapping paper. Participants will leave with a variety of hand printed projects, their own carved blocks as well as the skill to practice at home using basic art materials. Members: $75 Non-members: $80 All materials provided, no experience necessary! For more information visit here. Bluerock Gallery Pop Up Market
Black Diamond, AB November 30th, 2019 10:00 am - 6:00 pm It will be so great to be back at Bluerock Gallery for a pop up market with my latest Letterpress ephemera on display as well as the soothing rattle and clink of my trusty travel companion - my Kelsey tabletop letterpress. I cannot express how much I love being a part of this gallery family - they have been so supportive of my journey into printing! It will be a merry day for sure! Come by to soak up all the art and to say hello! For more information visit here.  Random wood type ornaments I encountered at Central Print on my first day I feel like I have run out of words lately. After a recent whirlwind trip to St. Louis for the Ladies of Letterpress Conference it has been a little harder for me to gather all the things that I am thinking about and writing them into a concise blog post. Perhaps I'll soon be able to pull the string and take the brown paper off all the things I saw and learned while I was there. Thankfully I have had reasons to unpack aspects of this trip already as much of it pertains to my letterpress endeavors.  Me in my happy place outside of Central Print with power tools and a like minded friend! Recently I had the delight of buying next year's day timer, I have started filling in small dates here and there, the school calendar is added and all this has reminded me about the power of anticipation. I remember a Jewish friend of mine sharing with me years ago the concept of how Sabbath day of rest fits into their calendar. It is the high point in one's week - you spend three days preparing in anticipation of all the things needed for that day to be a complete rest and refilling. After it is over, you spend three days reflecting on the experience you had. Then the cycle repeats.  Collaborating with these people and with this collection of type was a highlight. My day timer is like that, in its more haphazard fashion. I have a fairly routine orbit of teaching, appointments and meetings rotating throughout my weeks. Anything slightly different that engages my senses tends to be savoured long before it arrives. Planning a special trip, going for a walk or a coffee with a friend, setting a time for a gallery hop sees a lot of anticipation beforehand. Afterwards the glow of those moments seems to light up something creatively within me and I have a bout of inspired studio time. By the time it starts to wane, I look towards the next bright item in my day timer (I don't make a lot of social appointments now that I think about it). As you can imagine, this conference was HIGHLY anticipated for quite some time.  Prowling through gardens and back streets in search of weeds to transform into ink From the moment I stepped off the plane to the moment I boarded to go home, I was busy and engaged. At times, my brain felt overloaded. A friend I made at the conference shared that she booked 3 or 4 days off after she got home. Her method allowed her to make space for all the things she learned and gave her a chance to play with some of the concepts she was getting a handle on. I managed to take one full day off just to blissfully experiment in the studio, and I will learn for next time to book off more.  Experimenting afterwards with some new tools I looked forward to this Ladies of Letterpress experience for a long time and now it is over, I need to look back perhaps even longer and see what I gleaned from it. Hopefully some more jewels will be placed in my calendar for when this glow starts to wane.  Well, the kids are back in school, the vacation time is used up and the weather is getting colder. No excuses. It's time to get back into the studio. I mean you, not me! I've been in the studio the past couple of weeks getting prepared for all the upcoming classes and workshops! Below are what are ready for registration at the fabulous Inglewood Art Supply Studios! If you are interested, register here or contact Inglewood Art Supplies at inglewoodart@shaw.ca or 403-265-8961 Making Your Mark - Beginner and Intermediate Acrylic Painting September 17th - October 22nd 2019 (no class October 1st) Tuesdays 6:30 pm - 8:30 pm Learn the basics of painting and start working on your masterpiece! Students will learn how choose their subject, prepare their canvas, apply paint with a variety of techniques, as well as troubleshoot problem areas. Students will take home a completed painting and the knowledge to develop their skills further on their own. Intermediate Students will be coached through individual projects and provided with more targeted feedback based on their goals for skill development. 5 Classes - $150.00 +GST Supplies Not Included $30 Drop-In option available, see link for more details. Creative Freedom - Using an Art Journal to Unlock Your Creative Spirit One Day Workshop Sunday, September 29th, 2019 11:00 am - 4:00 pm Unsure of where to start on the path of creativity? Feeling stalled with creative blocks? Need an infusion of inspiration? Whatever your experience level or challenges you face with your art, you can break through using a series of creative techniques and journaling to discover the next step in your artistic journey! $85.00 +GST Supplies Not Included Making a Good Impression Beginner Linocut Printmaking Two Day Workshop October 19th & 20th 2019 11:00 am - 4:00 pm (both days) In this class, students will learn the basics of linocut printmaking. The instructor will teach students about composition, safe cutting techniques and how to pull prints. Participants will leave with a variety of hand printed projects, their own carved blocks as well as the skill to practice at home using basic art materials. $160.00 +GST Supplies Included Breaking Boundaries
Mixed Media Printmaking Two Day Workshop October 26th & 27th 2019 11:00 am - 4:00 pm (both days) Add colour to your linocut printmaking through a variety of mediums and techniques. The instructor will cover a number of approaches one can take with mixed media printing. Class time will cover basic linocut carving, inking and printing skills as well as how to use them with other art materials.Emphasis will be placed on utilizing other dry and wet media with your carved block in a number of different approaches to create one of a kind art with a few simple tools. Most Supplies for this workshop are provided. You may need to purchase additional supplies should you want to experiment with printing on a different support other than paper, use mixed media supplies provided not in our studio. $160.00 +GST Most Supplies Included  Reconciling Myself, 18" x 24" Acrylic on Canvas The past few months have been very good to me as I have made some friends and connections that have been inspiring me to explore new things and push the ceiling of my skills and knowledge. Spending time with Heritage Park and Alberta Printmakers has also lead me down some interesting paths. Looking back over the past year and a half, I have come to realize that I was creatively isolated in many ways during my time of recovery and I have been very thankful for this influx of stimulus in my life!
One of my more recent connections has been with the Making Treaty 7 Cultural Society. They support many theater and visual art endeavors in the Mohkinstsis (Calgary) region. The support they bring to the local First Nations, Metis and Inuit arts community is amazing. After attending an event of theirs in June, I was asked to submit work for their upcoming 2nd Annual Touring Exhibition. Imagine my delight when my piece, Reconciling Myself, was accepted! This work is a little of a departure for me, but this has been brewing for a while. Those bright florescent lines have been steadily gaining ground in my paintings, letterpress and sketchbook for months. It took the inspiration of this piece to explode those hues to the forefront. Lately my work has begun to explore identity; of particular interest is my Anishinaabe heritage. Like many Canadian families, this is complex and fraught with embedded societal racism, fear of Residential schools and broken ties with our cultural roots. As my father has made his own journey of making peace with these issues, a world has been opening up as he shares the past. Issues of cultural appropriation have been forefront in my mind, I’ve been wary of taking bits and pieces of a culture I wasn’t raised in to forge my artistic identity. Approaching this painting, I thought about how to best represent the place that I am coming from. Basing my source imagery on European settler representations of First Nations peoples was a way to not only share a lot of my early understanding of my family history, but also an act of re-appropriation. In my piece, Reconciling Myself, the source is from a 1910 postcard entitled “Indian Woman with Owl, Blind River”, which is the town where my father was born. This woman looks familiar to me, the slope of her nose and cheeks are the same that greet me in the mirror. In the photo, she seems unhappy and the owl looks to be a piece of taxidermy. I took liberties in my painting; she is serious, not sad. The owl is spreading it’s wings. In the background is a riot of colour and dynamic lines, a sign of life and the future. I hope you will have a chance to take in this show in the coming months! cSpace: Opening Wednesday September 18th until September 29th, 2019 Art Commons: Opening Wednesday October 1st until November 29th, 2019 New Central Library: Opening Monday December 2nd 2019 until January 18th, 2020  I've been drawing a lot of feet lately. I'm not totally sure why... My studio time has been minimal lately. Not that I haven't been creating, it seems that the summer brings a shift in my sensibilities. Sitting on my covered deck in the rain with a sketchbook and pen, using watercolours at outdoor events to etch memories onto paper. Our Alberta climate is such that by the time May rolls around and I can reliably be outside without a snowstorm looming, I can't bear to stay inside. So, I like to make my work portable. This time of the year is also where I look to refill my reserves and bank some creative ideas for when the machinery of life starts up again in September. A day spent sketching and dreaming often pays dividends further downstream when I need inspiration. I can open a sketchbook, feel the memory of hot sun and survey the notes I made while my creative urges were blooming. This has been my rhythm for around twenty years now. I am a firm believer in grounding myself in the pages of my sketchbook. It is my memory keeper, colour swatcher, endeavor planner and place for safe keeping. A treasure trove of ideas. Since this is such an integral part of my art practice, as an instructor, I jump at every chance I get to share some of the tricks and methods I've stumbled across and integrated into my studio practice. This summer is FILLED to the brim with such opportunities. In fact, I've already held a few sketching based workshops, with lots more on the way. All of these classes are suitable for beginners who are looking to open a sketchbook and begin their creative journeys, seasoned professionals who just need a creative exploration to shake things up and everyone in between. Oftentimes these classes become a catalyst for creativity and cross pollination as everyone is supportive and friendly. It's a great way to meet some new people and potential future sketching buddies! Coming up this weekend, I will be returning to the charming Leighton Art Centre for a special sketchbook class - Creative Freedom – Using an Art Journal to Unlock Your Creative Spirit (One Day Workshop) June 22, 2019 10:00 AM - 4:00 PM Unsure of where to start on the path of creativity? Feeling stalled with creative blocks? Need an infusion of inspiration? Whatever your experience level or challenges you face with your art, you can break through using a series of creative techniques and journaling to discover the next step in your artistic journey! $85.00 + GST & Eventbrite Fees Registration closes on Thurs. June 20, 2019 at 6:00 PM Register here or contact workshops@leightoncentre.org or phone: 403-931-363 In July and August I will be doing five sessions at the fabulous Inglewood Art Studios (in Bridgeland), we held a session at this location in May and the variety of architectural and natural features was amazing to draw. Great for people watching too! Plein Air Sketching Summer Series (One Day Workshop, 5 different sessions to choose from) Saturdays from 11:00 AM - 4:00 PM July 6th July 20th July 27th August 17th August 24th Come join us at the Inglewood Arts studio and around Bridgeland for some outdoor urban sketching. This series of classes will focus on a wide range of approaches for quickly capturing the moment with easy-to-transport supplies as well plenty of practical information of what to bring on your adventures! Each session will feature different techniques and places in the neighbourhood. Sign up for one, or join us for more! Choose your dates ($90 per session - Save when you register for more then 1 Session) 1 Session $90 2 Sessions $150 (Save $30) 3 Sessions $195 (Save $75) 4 Sessions $240 (Save $120) 5 Sessions $275 (Save $175) Register here or contact Inglewood Art Supplies at inglewoodart@shaw.ca or 403-265-8961 If you are looking for a reason to get back into your sketchbook, want to learn how to draw while travelling or to start using all those empty sketchbooks you keep buying... come and join me on one of these dates!
 A few days ago I carved this portrait of Lily Elsie. Hoping to print it this week. Recently, I've taken up writing in my journal regularly again. After all my health issues last year, it dropped off my radar. In order to tame my scrawling cursive, I've been using a fountain pen which is far easier on my hands and seems to slow me down in a good way. As my cursive is improving I am noticing that the pleasure centres of my brain light up when I manage to write a long word with no breaks and with correct letter formation. It's the little things, folks. I am currently working on quite a few pieces, most of which have shows coming up where they will debut. This weekend I will be at Artsplace in Canmore for Pottery Palooza - my first time showing there! I have fresh work coming to Leighton Art Centre for the Clothesline Festival as well the fabulous Bluerock Gallery. I also have pieces that will be shown on the Mini Masterpiece wall at the Calgary Stampede. This is the first time I've participated in a Stampede art event, so I am very excited. This is also a very busy time for instructing - once the snow melts, the roads are far more reliable and classes fill up. Right now, I've been doing a Tuesday night Acrylic Class for beginner and intermediate students at Inglewood Art Supplies and I have quite a few workshops approaching there and at Leighton Art Centre. I keep getting questions about outdoor sketching classes and lino carving - there are a bunch posted here.  My favorite off hours street parking.
As if this wasn't enough busyness... I decided it was time to move from "recovery and rebuilding" mode and back into "learning and exploring" mode (a place that I am far happier to dwell in). I've been feeling so restless the past few months, needing to push my own boundaries and get out of my house. After skipping the 2018 season, I'm returning to Heritage Park part time as a Trades Interpreter at the Strathmore Standard. This is a wealth of letterpress knowledge that I'm looking forward to tapping into. Already this has opened some unexpected and interesting doors for me that I'll be sharing more about in the coming weeks. |
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