Have I told you lately how much I love my fabulous gallery, Bluerock? They are the absolute best. Not only do they carry an amazing roster of Alberta artists, the owner and staff are genuinely great people. Over the past few months they have been nothing but encouraging and supportive as I've recovered from surgery. Not only do they care about beauty and art, they care about people. (Thanks, Bluerock!)
Recently, they invited me to come and share some of the things I've been working on with my printing presses! I'm all for having a deadline, so this has been spurring me on for the past little while to get a few projects realized and make some neat new things!
On June 23rd and 24th, I'll be bringing my Kelsey table top platen press, some type and linoleum blocks with me to Black Diamond and setting up in the gallery. I'll be on hand to demonstrate how letterpresses work, answer questions and share more about all the letterpress resources available in the Calgary region. I'll also have all those things I've been working on recently available for sale too!
If you'd like more information, you can find it here.
You can also just show up on June 23rd or 24th! ,It makes an excellent day trip to take in the scenery as well as the beautifully curated Bluerock collection. This is a fabulous gallery - I'd love to see you and talk shop!
110 Centre Ave W
Black Diamond, AB T0L0H0
I'm excited to share this "new" painting with you - although it was completed and delivered last month. I wanted to close my health issue chapter on a positive note. A while ago I applied for and was accepted to be part of a group of artists who were selected to create work to raise money for the Branch Out Neurological Foundation's upcoming fundraiser "Your Brain on Art"
Clearly, having just had brain surgery, this felt like a no brainer (see what I did there?)
We were matched up with a Neuroscientist and advised to contact them about the research project we had selected. I had chosen the research project: Vitamin Niacin on Brain Tumor Growth - Dr. Jeffrey Dunn, University of Calgary (I decided I wanted to fund brain tumour research, even though it wasn't directly related to the type of tumour I had) The idea was to call or email with them to learn more and then create a piece based on the conversation.
Imagine my delight when we figured out a time to meet in person at the actual lab! (I had an appointment with my neurosurgeon on the same campus and it all worked out for a face to face meeting) This became even better when I was told they work at the "Experimental Imaging Lab" in the basement, near the parkade. It doesn't get much better than that!
Once I met up with Jeff, he introduced me to the team and showed me the mouse MRI machine. Having had my fair share of "tube rides" in the past few months, I felt a connection to all the work and research that has to happen for technology like that to be useful in bringing people like me back to health (I also found it it kind of ironic that I blogged about people making better MRI equipment way back in the beginning of my brain tumour saga. Turns out, I got to meet some of those people!
Now, about the painting itself - I will admit, I went off on a different visual style than normal. We started our meeting talking about Greek etymology and somehow that stuck. Here is the write up I submitted:
This piece, Messenger, is a reflection of the dual stories found in the research project Vitamin Niacin on Brain Tumor Growth. The title hints at these two stories: delivery via Macrophage and delivery of information via MRI. The winged sandal represents Hermes, the messenger of the gods. He is known for his swift delivery via his winged sandals. I chose to use green to highlight this as a symbol of this messenger bringing healing, hope and growth. The area surrounding the winged sandal represents normal tissue cells; the area within the foot represents tumour cells. Tiny amounts of image contrast agent are being delivered to the core of a tumour via the macrophage, here shown as blue swatches of colour and orange dots
On a personal note, I haven't been blogging much lately, because I've been all blogged out. We have sunshine and the green is peeking out on my lawn. Health-wise, things are going really, really great. In order to consolidate the past few months and move on mentally, I've made a page with all my meningioma related posts with links in chronological order. If you want to start at the beginning and read my entire Meningioma story, click here.
I have two confessions to make. The first is that there is no secret decoder ring to these latest paintings. I figured I should be upfront about that as I've had a few people inquiring about meaning or looking for greater understanding. This is very appreciated - having people looking closely and seeing details means the world to me. Also, while these paintings are not something that gets "unlocked", they definitely do contain meaning and symbols. Its just a little more complicated than "draw item A, add symbol B, unify with meaningful colour C = painting that says this fixed statement about the world we live in/my life and struggles/current political climate" Now all that being said, I could explain what my current work is about, but I'm sure it would sound like a rambling conversation rather than a succinct mission statement.
When I create work, I start with a kernel of an idea and expand on it. Adding personal symbolism is visual shorthand that keeps me moving toward and thinking through that original idea. I'm usually starting out with something that I am trying to process or figure out for myself. These latest pieces are very much about processing - this affects the outcome significantly during the course of the piece. If you want an equation, it looks more like "draw item A, add symbol B, think about why you put those two things together, ask yourself questions about if it is right to hold the preconceived notions of A and B or A plus B, question if that is too obvious. Bury symbol with meaningful colour C, change mind, bring symbol B back to the surface but change the juxtaposed colour to offer insight as to why my position changed on this issue.... and back and forth until the painting you end with looks to be complete" When I paint, I am pretty much talking to myself the whole time. I'm questioning myself. I'm excited by how serendipitous application of paint looks beautiful and I look at ways to replicate that beauty in other parts of the canvas or how to make that little bit of beauty even more beautiful. It's a process in itself.
The second confession is while this style change has been influenced by my current health situation and I prioritize visual decisions a little differently, my brain tumour did not cause me to paint in this style. This change is very deliberate. After reflecting on some conversations I've had in the past few weeks, I want to be clear that I'm not seeing things funny in my brain or with my eyes. This is not like those 50 paintings Bryan Lewis Saunders did while taking a different drug before doing a self portrait. Truth be had, after going through my situation and really taking a hard long look at mortality, I'm ready to paint what I want to paint. Nothing wrong with earlier work, nothing wrong with representational work. I'm in a place right now where I want to change direction. I guess I'm tired of thinking about what other people will like and trying to paint those things. It's an easy trap for artists to fall into.
One thing that has surprised me since returning to painting and trying this new style is how much planning goes into each piece beforehand. This painting was not "intuitive" or a "just go with the flow" piece at all. I thought it through, made a sketch, thought it through some more, made a new sketch and painted from that. This is very heavily revised and edited for clarity and visual presence. This self portrait is a companion piece to It's All Over But the Shouting (That painting incidentally, is on display at cSpace Calgary for the People's Portrait Prize exhibition - you should check it out! More info can be found here). Not totally decided on my next piece but I'm enjoying the journey so far!
To read the whole story of my Meningioma click here.
sOn Friday, I attended the wrap up event for the Bud's of Bud's Northern Reflections Painted Window Exhibition. It was a great night reconnecting with the organization's team, the other artists as well as my animation partner, Alyssa Koski.
During the evening they awarded three prizes, People's Choice, Celebrity Choice and the Juried Prize. Alyssa and I were thrilled when they announced our name for the Jury's pick.
I'll be honest, since completing this piece my life has had quite a few changes and developments and 2018 has started out kind of rough. To have a night out and to take home the big prize was a great way to end my week. Thank you, Bud's of Bud's, thank you Jury and most of all, thank you Alyssa - you were an amazing partner to work with. Your animation took this piece to a whole other level and it was a treat to collaborate with you.
I love it when the theme of a picture just sorts itself out for you. I've been playing with plate composition all week in the studio with my new treasures. Stacking, re-stacking, moving to a different light - its been an undercurrent of activity and thought while I putter away on other projects.
Once and a while, I'll snap a picture or two of a pleasing arrangement and sort the images out later. When I was editing photos, this one leaped to the the forefront. Absolutely by chance, the shadows on the table and the bowl interior were in the same family as the rosy pink plate. What would have normally stuck out like a sore thumb (the lone pink plate) works in harmony here because of this. What fun to paint = I loved pushing that airy, precious pink into every corner of the canvas that I could fit it into!
This painting is part of my submission for the Christmas in Country show at the Leighton Art Centre in a few weeks. You can read more about it here.
A recent trip to Jasper was the source for this picture, specifically the Maligne Canyon area - we took a winding side path that felt almost vertical at times and we were rewarded with this alpine meadow filled with a cacophony of colour. I've really been enjoying playing with the the range in my limited palette lately. Pushing the colour combinations as bright and far as they can go while still maintaining harmony with the rest of the series. It has been a healthy challenge!
Right now I am busily preparing my submission for the Christmas in Country show and sale at the Leighton Centre and this piece will be one of them. Here are all the details you need to put this fun event on your calendar:
Leighton Art Centre, Calgary: Christmas in the Country Art Show and Sale
Sat - Sun November 4th & 5th, 10:00 AM to 4:00 PM
Sat - Sun November 11th & 12th, 10:00 AM to 4:00 PM
Over a thousand pieces of fine craft and unframed artworks by local artists line the historic Leighton Home this Christmas. Beautiful decorations and festive treats will make you feel at home. Discover over 100 artists and find a special gift for your loved ones at this annual art sale. Visit their site here for map and directions.