I have very much enjoyed becoming a more active member with Alberta Printmakers this year. They are comprised of amazing artists and supporters who are super inclusive and encouraging. One of their yearly fundraising efforts is the Not So Mini Print Exchange and Exhibition. It is an international call and artists submit an edition of 10 prints. Of that edition, 8 prints get given to other artists and 2 go up for auction with the proceeds going to fund further A/P projects. My piece, The Fox and the Crow, was a return visit to an old theme that has been popping up in my work for about a decade. It's based off of a fable by Aesop - in it a crow has a tasty morsel of cheese in her beak. A sly fox decides to convince the crow that her voice is beautiful and that he wants her to sing. As she starts to caw and croak, the cheese drops to the ground and the fox runs away with the cheese. This has always been interpreted by me as a stark warning about flattery and other wasted words. I have a hard time receiving compliments, I tend to be very awkward and uncomfortable when this happens. This is a long standing thing - hence the reoccurring fox and crow theme that I relate to on a deeper level. This strangeness about compliments was recently pointed out to me and I started to process a little bit about why it is hard to hear those things (haven't totally figured that out). I do like receiving warm feedback (especially from those that I really respect their opinions) and I decided it was time to put the Fox and Crow theme to rest. It was the subject of a print I did a long time ago that was rushed and I was dissatisfied with the end result. This version I am much happier with. I printed it using 3 different blocks (the large red rectangle with scalloped pattern, the blue circle/floral blocks (used twice) and the final fox and crow block. I played around on my Chandler & Price treadle letterpress with very diluted pigment and tried my best to get nice registration and clean edges. It turned out well. I agonized over the composition for quite some time because I couldn't picture the placement very easily in my head - but at the end, I think it reads well. I feel like I am making slow art these days. Hopefully the flavours are that much more developed because of it. I also feel like I'm starting to make peace with some of my hesitations surrounding kind words about my work. Come and check it out and all the other amazing pieces at: Not So Mini Exhibition Alberta Printmakers December 6th - 21st, 2019 Find out more here. I am really looking forward to the events that are coming up in the next few weeks. All my favourite things are here: painting, printmaking and letterpress! Christmas in the Country 2019 Leighton Art Centre, Calgary AB November 2, 2019 - November 10, 2019 I'm happy to have been selected to participate in the annual Christmas in the Country Art sale at the fabulous Leighton Art Centre. Over 2000 pieces of fine craft and unframed artworks by local artists will fill the museum and galleries of the historic Leighton home this November, Free parking, free admission & complimentary festive treats throughout both weekends. Spectacular Rocky Mountain views included! For more information visit here. Making Your Mark - Beginner and Intermediate Acrylic Painting Inglewood Art Supplies and Studio November 5th - December 3rd 2019 Tuesdays 6:30 pm - 8:30 pm Learn the basics of painting and start working on your masterpiece! Students will learn how choose their subject, prepare their canvas, apply paint with a variety of techniques, as well as troubleshoot problem areas. Students will take home a completed painting and the knowledge to develop their skills further on their own. Intermediate Students will be coached through individual projects and provided with more targeted feedback based on their goals for skill development. $30 Drop-In option available, For more information visit here. Print & Be Merry: Holiday Print Workshop Alberta Printmakers Wednesdays, November 20th and 27th 2019 6:30 pm - 8:30 pm (both evenings) Carve your own holiday linocut image and print it on a tabletop Kelsey letterpress! Over two sessions, students will learn the basics of linocut carving and printmaking, and use a tabletop letterpress to create one of a kind Christmas cards, tags and wrapping paper. Participants will leave with a variety of hand printed projects, their own carved blocks as well as the skill to practice at home using basic art materials. Members: $75 Non-members: $80 All materials provided, no experience necessary! For more information visit here. Bluerock Gallery Pop Up Market
Black Diamond, AB November 30th, 2019 10:00 am - 6:00 pm It will be so great to be back at Bluerock Gallery for a pop up market with my latest Letterpress ephemera on display as well as the soothing rattle and clink of my trusty travel companion - my Kelsey tabletop letterpress. I cannot express how much I love being a part of this gallery family - they have been so supportive of my journey into printing! It will be a merry day for sure! Come by to soak up all the art and to say hello! For more information visit here. Recently, I've taken up writing in my journal regularly again. After all my health issues last year, it dropped off my radar. In order to tame my scrawling cursive, I've been using a fountain pen which is far easier on my hands and seems to slow me down in a good way. As my cursive is improving I am noticing that the pleasure centres of my brain light up when I manage to write a long word with no breaks and with correct letter formation. It's the little things, folks. I am currently working on quite a few pieces, most of which have shows coming up where they will debut. This weekend I will be at Artsplace in Canmore for Pottery Palooza - my first time showing there! I have fresh work coming to Leighton Art Centre for the Clothesline Festival as well the fabulous Bluerock Gallery. I also have pieces that will be shown on the Mini Masterpiece wall at the Calgary Stampede. This is the first time I've participated in a Stampede art event, so I am very excited. This is also a very busy time for instructing - once the snow melts, the roads are far more reliable and classes fill up. Right now, I've been doing a Tuesday night Acrylic Class for beginner and intermediate students at Inglewood Art Supplies and I have quite a few workshops approaching there and at Leighton Art Centre. I keep getting questions about outdoor sketching classes and lino carving - there are a bunch posted here.
As if this wasn't enough busyness... I decided it was time to move from "recovery and rebuilding" mode and back into "learning and exploring" mode (a place that I am far happier to dwell in). I've been feeling so restless the past few months, needing to push my own boundaries and get out of my house. After skipping the 2018 season, I'm returning to Heritage Park part time as a Trades Interpreter at the Strathmore Standard. This is a wealth of letterpress knowledge that I'm looking forward to tapping into. Already this has opened some unexpected and interesting doors for me that I'll be sharing more about in the coming weeks. Have I told you lately how much I love my fabulous gallery, Bluerock? They are the absolute best. Not only do they carry an amazing roster of Alberta artists, the owner and staff are genuinely great people. Over the past few months they have been nothing but encouraging and supportive as I've recovered from surgery. Not only do they care about beauty and art, they care about people. (Thanks, Bluerock!)
Recently, they invited me to come and share some of the things I've been working on with my printing presses! I'm all for having a deadline, so this has been spurring me on for the past little while to get a few projects realized and make some neat new things! On June 23rd and 24th, I'll be bringing my Kelsey table top platen press, some type and linoleum blocks with me to Black Diamond and setting up in the gallery. I'll be on hand to demonstrate how letterpresses work, answer questions and share more about all the letterpress resources available in the Calgary region. I'll also have all those things I've been working on recently available for sale too! If you'd like more information, you can find it here. You can also just show up on June 23rd or 24th! ,It makes an excellent day trip to take in the scenery as well as the beautifully curated Bluerock collection. This is a fabulous gallery - I'd love to see you and talk shop! Bluerock Gallery 110 Centre Ave W Black Diamond, AB T0L0H0 phone: 403-933-5047 website: bluerockgallery.ca I have two confessions to make. The first is that there is no secret decoder ring to these latest paintings. I figured I should be upfront about that as I've had a few people inquiring about meaning or looking for greater understanding. This is very appreciated - having people looking closely and seeing details means the world to me. Also, while these paintings are not something that gets "unlocked", they definitely do contain meaning and symbols. Its just a little more complicated than "draw item A, add symbol B, unify with meaningful colour C = painting that says this fixed statement about the world we live in/my life and struggles/current political climate" Now all that being said, I could explain what my current work is about, but I'm sure it would sound like a rambling conversation rather than a succinct mission statement.
When I create work, I start with a kernel of an idea and expand on it. Adding personal symbolism is visual shorthand that keeps me moving toward and thinking through that original idea. I'm usually starting out with something that I am trying to process or figure out for myself. These latest pieces are very much about processing - this affects the outcome significantly during the course of the piece. If you want an equation, it looks more like "draw item A, add symbol B, think about why you put those two things together, ask yourself questions about if it is right to hold the preconceived notions of A and B or A plus B, question if that is too obvious. Bury symbol with meaningful colour C, change mind, bring symbol B back to the surface but change the juxtaposed colour to offer insight as to why my position changed on this issue.... and back and forth until the painting you end with looks to be complete" When I paint, I am pretty much talking to myself the whole time. I'm questioning myself. I'm excited by how serendipitous application of paint looks beautiful and I look at ways to replicate that beauty in other parts of the canvas or how to make that little bit of beauty even more beautiful. It's a process in itself. The second confession is while this style change has been influenced by my current health situation and I prioritize visual decisions a little differently, my brain tumour did not cause me to paint in this style. This change is very deliberate. After reflecting on some conversations I've had in the past few weeks, I want to be clear that I'm not seeing things funny in my brain or with my eyes. This is not like those 50 paintings Bryan Lewis Saunders did while taking a different drug before doing a self portrait. Truth be had, after going through my situation and really taking a hard long look at mortality, I'm ready to paint what I want to paint. Nothing wrong with earlier work, nothing wrong with representational work. I'm in a place right now where I want to change direction. I guess I'm tired of thinking about what other people will like and trying to paint those things. It's an easy trap for artists to fall into. One thing that has surprised me since returning to painting and trying this new style is how much planning goes into each piece beforehand. This painting was not "intuitive" or a "just go with the flow" piece at all. I thought it through, made a sketch, thought it through some more, made a new sketch and painted from that. This is very heavily revised and edited for clarity and visual presence. This self portrait is a companion piece to It's All Over But the Shouting (That painting incidentally, is on display at cSpace Calgary for the People's Portrait Prize exhibition - you should check it out! More info can be found here). Not totally decided on my next piece but I'm enjoying the journey so far! To read the whole story of my Meningioma click here. "Heart of the City" Won the Juried Prize for the Northern Reflections 2017 Painted Window Exhibit1/14/2018
On Friday, I attended the wrap up event for the Bud's of Bud's Northern Reflections Painted Window Exhibition. It was a great night reconnecting with the organization's team, the other artists as well as my animation partner, Alyssa Koski.
During the evening they awarded three prizes, People's Choice, Celebrity Choice and the Juried Prize. Alyssa and I were thrilled when they announced our name for the Jury's pick. I'll be honest, since completing this piece my life has had quite a few changes and developments and 2018 has started out kind of rough. To have a night out and to take home the big prize was a great way to end my week. Thank you, Bud's of Bud's, thank you Jury and most of all, thank you Alyssa - you were an amazing partner to work with. Your animation took this piece to a whole other level and it was a treat to collaborate with you. I love it when the theme of a picture just sorts itself out for you. I've been playing with plate composition all week in the studio with my new treasures. Stacking, re-stacking, moving to a different light - its been an undercurrent of activity and thought while I putter away on other projects.
Once and a while, I'll snap a picture or two of a pleasing arrangement and sort the images out later. When I was editing photos, this one leaped to the the forefront. Absolutely by chance, the shadows on the table and the bowl interior were in the same family as the rosy pink plate. What would have normally stuck out like a sore thumb (the lone pink plate) works in harmony here because of this. What fun to paint = I loved pushing that airy, precious pink into every corner of the canvas that I could fit it into! This painting is part of my submission for the Christmas in Country show at the Leighton Art Centre in a few weeks. You can read more about it here. |
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